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Four Upcoming Must-Hear Albums

Lydia Loveless 

Title: Daughter
Release Date: September 25

Alt-country rocker Lydia Loveless is returning with her first new album in four years, channeling the emotional upheaval of a divorce and road exhaustion into the songs on her latest effort, “Daughter.” Following a period a deep of reflection and a move to North Carolina, where she slowly crafted her new album’s 10 tracks, Loveless traveled to Chicago to record at Wilco’s studio, The Loft. The result features Loveless at her most candid, especially in the lead single “Love is Not Enough,” which laments a draining relationship.

Own Words: “For the first time I felt completely insecure about what I’d made,” she explains. “But recording brought things back into focus. I couldn’t back out of playing and explaining my songs and vision.”

The War and Treaty 

Title: “Hearts Town”
Release Date: September 25

Coming off the lauded 2018 breakout effort “Healing Tide,” husband-and-wife duo Michael Trotter and Tonya Blount-Trotter are returning with another set of uplifting gospel-rock highlighted by the couple’s intimate and energetic vocal interplay. The new effort shifts between roots-based styles, from the classic soul of the heartfelt love songs “Five More Minutes” to the haunting rock dirge “Beautiful,” which features an appearance by Jason Isbell on guitar. The album’s title comes from the nickname the group has for their loyal fan base.

Own Words: “Hearts Town is a neighborhood strictly made up of people who all share the same kind of heart: hearts that love, hearts that heal, hearts that don’t see division,” says Michael. “There’s all different types of people within that neighborhood, but they’re still somehow all working together—which is exactly the kind of town we want to live in.”

Steep Canyon Rangers 

Title: “Arm in Arm”
Release Date: October 16

North Carolina bluegrass aces Steep Canyon Rangers have been on a prolific streak, following up last year’s two releases—the live record “North Carolina Songbook” and collaborative “Best Still Moses,” which found the band working with the Asheville Symphony and the R&B outfit Boyz II Men. “Arm in Arm,” the band’s thirteenth album, is a studio set of 11 new originals, recorded in Nashville with producer Brandon Bell (Zac Brown, John Prine). The Grammy-winning pickers keep stretching their acoustic borders, embracing anthemic country-rock in standout “Every River.”

Own words: “The record is all over the place. It captures a lot of different layers of the Rangers and some new layers,” lead singer and guitarist Woody Platt told the Asheville Citizen-Times back in July.

Delta Spirit

Title: “What Is There”
Release Date: September

Delta Spirit had big plans for their long-awaited reunion, including a lengthy tour and high-profile festival appearances. The shows will have to wait until (hopefully) 2021, but in the meantime the band will release “What Is There,” their first album in six years, this month. After a restorative hiatus, the indie roots-rock mainstays sound rejuvenated on tracks like the soulful, dance-ready “It Ain’t Easy.” 

Own Words: “I’m really proud of our body of work, but especially proud of where everybody has gotten to now,” front man Matthew Logan Vasquez, said in a statement, admitting the 15-year-old band really needed the break before being able to reunite for recording sessions in Texas. “I have a lot of hope for us. There’s a lot of raw honesty in the music. It’s a record for right now, instead of pandering to the past. It’s the next step.” 

New Covers

Late last month, two covers-based albums surfaced that reinterpret familiar material in new ways. Fruit Bats—the performing moniker of indie folk singer-songwriter Eric D. Johnson—just dropped a full reboot of the Smashing Pumpkins’ 1994 landmark “Siamese Dream.” Johnson plays all of the instruments on the record, and in his hands the album loses its angsty fuzz in favor of dreamy acoustic arrangements. Most lovely is his take on the ubiquitous radio hit “Today,” which sways effortlessly as a pastoral folk waltz. 

On August 28, flat-picking guitar whiz and introspective singer-songwriter Molly Tuttle released a full LP of various songs by some of her favorite artists called “…But I’d rather be with you.” The title comes from lyrics in the Grateful Dead’s “Standing on the Moon,” which Tuttle imbues with an emotive country lilt, but the eclectic collection features tunes by a wide range of acts, including the Rolling Stones, FKA Twigs, and Harry Styles. Tuttle started the project while sheltering at home in Nashville back in March, and then, as pandemic collaborations go these days, remotely worked with producer Tony Berg (Phoebe Bridgers) and some guest musicians, including Taylor Goldsmith of Dawes and Old Crow Medicine Show’s Ketch Secor. 

The album’s standout is a delicately futuristic reading of The National’s “Fake Empire,” which replaces the original’s dark piano chords with airy, percussive acoustic guitar, adding an atmospheric, soul-searching layer to the song’s message of apathetic indifference.

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